Predicting Pitchfork 2010

Standard

Last year I guessed 6 of Pitchfork‘s top ten albums of the year, but of these I was only able to place ‘Merriweather Post Pavilion’ in its correct position. As I commented at the time, even my mother would have figured out that detail, despite her being more of a Oneohtrix Point Never fan.

This year, Pitchfork’s top ten rated albums are as follows:

  1. Kanye West – My Beautiful Dark Twisted Fantasy – Rating: 10.0
  2. Deerhunter – Halcyon Digest – Rating: 9.2
  3. LCD Soundsystem – This Is Happening – Rating: 9.2
  4. Big Boi – Sir Lucious Left Foot: The Son of Chico Dusty – Rating: 9.2
  5. Joanna Newsom – Have One on Me – Rating: 9.2
  6. Ariel Pink’s Haunted Graffiti – Before Today – Rating: 9.0
  7. Beach House – Teen Dream – Rating: 9.0
  8. No Age – Everything in Between – Rating: 8.8
  9. Flying Lotus – Cosmogramma – Rating: 8.8
  10. How to Dress Well – Love Remains – Rating: 8.7
    The National – High Violet – Rating: 8.7
    Sleigh Bells – Treats – Rating: 8.7
    Titus Andronicus – The Monitor – Rating: 8.7
    Robyn – Body Talk – Rating: 8.7

(Thanks to www.albumoftheyear.org for the list)

My thinking goes like this:

I’m guessing Kanye West has come in too late for all the P4K staffers to get behind it sufficiently to make it top of the list, but I figure it has to squeak into the top 3. The other slots will be contested by Deerhunter, which I guess is a reflex choice for most of the electorate, LCD Soundsystem, which should benefit from the sentimental vote, and Joanna Newsom, which is pretty tough to ignore as the towering achievement of the year.

Beneath these four I think Big Boi, Ariel Pink and Beach House pretty much have to feature, and then i’m struggling. It seems wrong for The National to sit outside the top ten and I also can’t see Vampire Weekend or Four Tet being overlooked, although that might reflect my year’s listening more than the ‘fork folks.

So, here goes. My predictions:

  1. Deerhunter – Halcyon Digest (I bet they can’t resist)
  2. Joanna Newsom – Have One On Me
  3. Kanye West – My Beautiful Dark Twisted Fantasy
  4. LCD Soundsystem – This Is Happening
  5. Ariel Pink’s Haunted Graffiti – Before Today
  6. Beach House – Teen Dream
  7. Big Boi – Sir Lucious Left Foot: The Son of Chico Dusty
  8. Four Tet – There Is Love In You
  9. The National – High Violet
  10. Vampire Weekend – Contra

If (when) i’m wrong, I expect it’ll be because of The Walkmen, No Age, Sleigh Bells, Titus Andronicus, Tame Impala and Caribou. As for the Arcade Fire, drifting somewhere in the 10-20 suburbs.

I’m granting myself 2 points for each top ten record guessed, and 5 points for those placed correctly. Post your own predictions, and I might even buy you a creme egg if you beat me.

Supermarket vegetables cost the earth

Standard

Inspired by Rich at the Roaster (a fine blog full of useful tips and recipes for those prepping a special Sunday meal – try to ignore the fact that his ‘Food Pictures’ currently lead off with a photo of a baby…) I took a look at our weekly organic veg bag and tried to work out how much it would have cost if we’d been able to buy the same stuff from our local supermarket. Like Rich, I found the results pretty remarkable. Unlike Rich, I can’t figure out how to get a neat spreadsheet into by blog, so bear with me.

Newsflash: Turns out I also managed to delete the photo I took showing my delicious veg in all it’s colourful glory. This post is becoming even more pointless by the second, if that’s possible.

Gather. Gather.

For the last four years or so, we’ve picked up a bag of organic vegetables grown by Ruth Hancock and her company ‘Fresh and Green’. They are the epitome of local supply. Ruth has a field, she grows beautiful veg there and she sell them to local people from her house and via the Ottery Healthstore.

It’s a perfect scheme for us, meaning we always have a full stock of vegetables whether we like it or not, sitting there pressuring us to cook and eat them rather than nip down to Bloaters in Sidford for chips. We pay £10.00 each week for, frankly, more vegetables than we can usually eat. We’ve never had so many vitamins, and nor has our compost heap.

Here’s the bit where I go on about organic meaning no pesticides soaking into the ground, and how smug it makes us feel to have zero food miles for the bulk of our weekly intake. This is the end of that bit.

So, the sums. I couldn’t find direct equivalents for everything I had in the bag that week, but you’ll have to believe me when I say that nothing Tesco had to offer looked any better than what Ruth had bagged up for us. Plus, Tesco apparently don’t sell chard, so that’s been left out, and the figures should be even worse for the supermarket.

Veg bag                            Tesco regular       Tesco organic
(If available)

Tomatoes 500g                  £1.49                          £2.78
Green beans 400g             £1.60                          £2.08
Potatoes 1kg                        £1.25                          £1.25
Runner beans 600g           £2.10                         £2.10
2 Green peppers                 £1.36                         £1.79
Basil 50g                              £1.30                         £1.30
Red onions 200g                £0.19                         £0.35
Mixed salad leaves 300g   £4.50                        £4.50
Rainbow chard 300g          n/a                            n/a
1 Cucumber                          £0.70                        £1.21
Courgettes 500g                  £0.90                       £1.50
Carrots 500g                        £0.67                        £1.00

Total: £10.00                  £16.06                   £19.86

Now, I know what you’re thinking. £4.50 for a bag of salad leaves. Okay, get over that and check out the final scores. Even if you have no interest in buying organic, just getting the regular stuff from Tesco costs an extra 60%. The organic stuff is basically twice the price.

So, why buy it? It makes no sense. Stop now and find your nearest veg box scheme.

So farewell then, Meatballs 4

Standard

Football is meaningless and empty. A way to make pleasure from patterns and use it to partially fill the void. When it works, it works as a dream, a fiction, worth no more than we are willing to invest in it, and usually giving a paltry return. It makes as much sense as Dungeons and Dragons, synchronised swimming or organised religion. We know this, but still, we follow the moving ball and we hope. Occasionally a fairy tale plays out, one we can tell and re-tell. More time passed, more void filled.

No more. I’m not getting anything back any longer, and i’m done. In a fairy tale where one of the world’s best players wants to leave one of the world’s most successful clubs because their squad is not strong enough, there’s nothing left for me. When the dream of staying and fighting to make things better, to lead your team to win against the odds, is passed over in favour of joining a team that will never lose, it’s time to wake up and get on with our lives.

Leaving a top 3 club to join the top 1 club is more selfish than leaving for the money. What would you have done in 1940? Sailed to Dunkirk then joined the Axis Powers?

Football is no longer a game for dreamers, for lovers, for fighters. It’s a professional game for professional men who sometimes stand together and look like teams.

So fuck you, Wayne Rooney, for proving to us, once and for all, what we already knew but had hoped to forget. Enjoy your trophies. I’ll be outside, doing something else.

Fear and self-loathing in East Devon

Standard

I had about a quarter of a great day yesterday, and I can’t figure out why it stopped there.

The love of my life is away, leaving me with dominion. I can do what the roaring hell I want, so long as the list of jobs on the kitchen blackboard get ticked off. It started pretty well, and quite traditionally, with a Friday night horror flick, although ‘Death Note‘ was more fun than horrific.

A Saturday morning bike ride seemed the perfect way to kickstart the weekend. I headed out at 8am and, all told, covered 40 miles through crisp and sunny Devon lanes. Ordinarily I’d arrive back home intoxicated by a cocktail of endorphins and smugness which would see me through the rest of the day. But.

After 27 miles my back wheel started grating slightly. Turned out the spring mechanism on the rear brakes had cracked somehow, and one side was resting against the wheel. Nothing I could do to fix it, but it was fine to ride home. Before heading off, I checked the app on my phone which had been tracking the ride. It credited me with 21 miles, rather than the 27 I knew I’d done. And that was that. Day ruined, pretty much.

Why? Instead of riding straight home, I carried on around the route and did a further 14 miles. That was a small triumph, surely? After an admittedly fiddly and irritating couple of hours I found a way to correct the online record of the route, and to claim back the lost miles. I bought some new brakes in Sidmouth too. So, nothing lost and a little gained, right? Wrong.

I did the other stuff I’d planned, walked the dog in the sunshine, painted the wall outside the house, opened a new back account, ate some good food, avoided watching Saturday night TV, I even tidied up the mess I’d made of the house just because I could, but all these little positive accruals felt like mere token scrapings at the foot of the landslide of ill-feeling caused by a broken brake and a few lost miles. Fair enough, I spent much of the evening trying, and failing, to fit the new brakes, instead of listening to records and reading my book, but the foul weather had set in for the day well before that frustration.

Why? Why can one or two minor glitches, quickly overcome, cause fault lines through the rest of a great day? And why, presented with a whole weekend to do with as I wish, am I crushed by the self-fulfilling fear that I’ll waste the opportunity? How stupid, self-defeating and utterly beyond my control. And should I tag this post with ‘depression’ or ‘idiot’ or ‘get over it, loser’?

Today will be better. At least if those brakes go on properly.

Election fever turns terminal

Standard

We were away for the election, and I count us lucky. I don’t think I would have survived the slow, suffocating crush of the aftermath as the coalition of the damned came together with terrible inevitability. Driving back down the M5 a couple of hours after the new occupant of 10 Downing Street had kicked off his shoes (presumably delivered for him by prime-ministerial Jag), the news and phone-ins were bad enough.

What to make of it.

I’m no lover of Brown’s Labour party. They lead a sustained assault on civil liberties that would have made Thatcher proud, sleepwalked us into a financial ambush sufficiently catastrophic as to give the Tories all the excuses they need to decimate our public services and they began an illegal war in our name. Brown, long thought to be the brains behind the organisation, proved dithering and ineffective when he finally got the chance at the top job he had supposedly always craved.

But the hysterical monstering he suffered at the hands of the British press has been biased, pernicious, dishonest and ultimately corrosive for politics and public life. No more, it seems, are we allowed a leader who is ill-tempered, unpolished, difficult, ugly.

Now we are being told that his departure from power is a “profoundly human” moment, as if that meant anything other than an acknowledgement that he has not been treated humanely by commentators since he took power.

This country feels safer, more prosperous, more vibrant and more equal than when the last Tory government was rousted. Labour got some things wrong, and some things right. Shock horror. To the idiotic callers to phone-in shows screaming good riddance and asserting that the country is broken, two questions: How blinkered or hate-blinded can you possibly be, and just what do you think is going to happen now?

Let’s think about that.

As The Bugle rightly put it on Friday, everyone lost this election. Labour certainly did. The Tories meanwhile ran the most expensive campaign in history, against a hugely unpopular government, upon a background of economic collapse and political sleaze, and they couldn’t persuade the British public to vote them in. I met two people during the campaign who thought they’d like to see Cameron as PM and dozens who seemed likely to scratch their own faces off at the very prospect.

The Lib Dems won the campaign and lost seats. Thanks but no thanks Nick.

I’m a hopeless analyst: naive, trusting and shortsighted. Nonetheless, the logic of the coalition and where it’s going seems inescapable and destructive.

The Lib Dems lost seats on the back of an apparently triumphant campaign. They must have realised early on Friday that they will never get anything from our current electoral system. Their one hope for improved future fortunes must lie in the electoral reform which has always been a sine qua non for them, and which would deliver real seats and influence to their party. They had to get it to have any sort of a future, and they failed. The Tory party won’t support it, no matter how much they are holding hands and skipping through daisies together today, and Labour voters will surely feel ‘disinclined’ to vote for the LIberal leg-up, to put it mildly. They may get their referendum, but they won’t get their reform and their one chance to become a permanent part of the political landscape has gone, traded in for a once-in-a-lifetime opportunity to sit in government with a Tory party prepared to do anything to grab that power for themselves after 13 years separated from what they surely feel is their rightful inheritance.

They may have half a buttock on various ministerial seats, but the Liberal Democrats have committed a long, slow suicide that will surely see them annihilated at the next election, if not before by the horrible, repulsive, abusive marriage they have just entered into. And as you see them holding hands over the next days and weeks, cooing to each about “the new politics” they have created, remember how much they hate each other, how little they actually want this, and how much they are now lying to you.

A pact with Labour would, arguably, have delivered proportional representation, and created the progressive alliance that many in the country wanted. But the numbers wouldn’t have held and, ultimately the government would have been hounded as illegitimate. The chance has gone. Ultimately, perhaps the most heartbreaking element of this whole slow motion disaster is that it seems to have ground towards the only realistic outcome, even though no-one wanted it.

There have to be upsides, don’t there?

The screeching harpies who railed blindly against the last lot are in for a dose of cold, slick reality. Governing is tough.

At last we can all hate the government without feeling conflicted, and those who abandoned Labour after the Iraq betrayal may feel they can begin to come back. Who knows, we may even get a decent left-wing opposition that’s also fit to be elected.

Foxhunting might stay banned.

And those idiots, who have been able to belch bollocks on my radio for years will have to shut up and start to take responsibility for what they’ve done. Perhaps this is the lesson we all need. Sense, perspective, balance, nuance and restraint may come back to our public debate. Perhaps we, the people, can form a true coalition of the willing.

What’s that I smell, wafting on the breeze?

Standard

Election time is prime time for bullshit spotters. Let’s see what we can smell.

Day one:

http://news.bbc.co.uk/1/hi/uk_politics/8604779.stm

Mr Cameron said he was fighting the election for “the great ignored”.

“They work hard, they set up businesses, they work in factories, they teach our children, they keep our streets safe, they obey the law and they their pay taxes,” he said.

“They do the right thing. They are the honest, hard-working people of our country and they are desperate to know that in this great country we can still achieve great things.”

Prime bullshit, and surprisingly ripe considering we’re so early in the campaign. Who are these “great ignored”? Honest people? People who work? In factories? People who have families? Why David, that sounds like me! In fact, wait a moment… that sounds like everyone I know! Hang on, you cheeky scoundrel. That sounds like everyone in the entire country!

Presumably you’re not fighting it for any of the nasty people out there who do things I don’t like, like avoid taxes or hunt animals for fun, or else you would have said so, right? Glad we got that straight.

http://news.bbc.co.uk/1/hi/uk_politics/election_2010/8604541.stm

“This country, Britain, has now had Conservative and Labour governments for 65 years, just doing the same old thing, taking it in turns to make the same old mistakes, over and over again. So the real choice in this election is between more of the same… or real change. Something different.”

So said Nick Clegg, launching the Lib Dem campaign. Very brave, and very bullshitty. I know the chap’s a Liberal and all, but I never had him down as the British Bakunin. Apparently nothing has gone right in this place for 65 years, and we need a change. Bold, Cleggy, very bold. Very bold move for day one, setting yourself against defeating Hitler, creating the NHS, decimalisation AND Neil Kinnock falling in the sea.

As a great rock singer once said, it’s a fine line between clever and stupid. Sometimes you can be both at the same time. Unfortunately, Nick, sometimes you’re just one of those things.

6 music and the BBC

Standard

I just filled in this form https://www.bbc.co.uk/complaints/forms/ and registered my thoughts about both the suggestion that the BBC might consider closing the 6 music radio station, and, as it turned out, the recent attacks on the corporation. I was more than slightly distracted as ‘Glee’ was camping it up extremely loudly in the corner of the room as I typed, and in the end I got quite carried away and not a little operatic.

Here’s what I wrote. I haven’t read it back. I may not mean any of this, but I suspect I probably do.

Dear Sirs,

I am writing to register my anger and disappointment at the suggestion that the BBC may be considering closing the 6 Music radio station. To do so would be a huge mistake, both in terms of the stations contribution to the culture of the nation, and also politically.

Firstly, 6 Music is the absolute definition of the corporation’s commitments to both music and public service broadcasting. Radio 1 and Radio 2, with rare exceptions, are entertainment stations. 6 Music is the only national music station to take rock and pop music seriously. It’s for music lovers, by music lovers. It draws on the BBC’s unrivaled history and place at the centre of rock and pop music. I grew up like hundreds of thousands of other people listening to John Peel under the bedclothes and have been an obsessive music listener, collector, fan and lover ever since. 6 Music is where that lifelong passion took me. If it goes, it will never come back. The BBC will be throwing away everything that has made it’s music radio great over the last 40 years, and closing off serious music radio to current and future generations. Today we have unparalleled access to music in ways I could never have imagined all those years ago. However, radio is about more than a catalogue of tracks. It creates, nurtures and sustains a shared culture, and without 6 Music, rock and pop culture in the UK would be significantly damaged.

Secondly, to suggest that an equivalent service would or could be provided by commercial broadcasters is laughable. 6 Music is exactly what the licence fee is for, providing a first rate service which simply would not exist if left to the private sector and the requirements of advertisers. If this is an attempt to pre-empt future attacks on the funding of the corporation, then it is utterly illogical. If the trust really believes that the BBC should be cutting those services which can be provided by the private sector, then Radio 1, Radio 2, BBC 3, News 24 and, arguably, areas of the BBC web presence would be much more credible targets. The provision of stations like 6 Music is precisely the reason that the licence fee is still paid happily by the majority of households in the UK. Please add me to the list of your listeners and viewers who would gladly pay twice the licence fee to subscribe to BBC programming. To discard what makes your output unique and valuable and keep the generic and bland is ludicrous and a betrayal of your public service remit.

Those in other sections of the media who shriek about the reach an influence of the BBC have vested interests. This will not come as news to you. Trust me, however, when I tell you that your listeners and viewers understand their motives and objectives perfectly. There is no support in the country for the dismantling of the services the corporation provide, and to make gestures towards those who target the BBC is to surrender to your enemies who are, of course, motivated purely by profit, with no regard or reverence for public service. Visit any other country and explain to them that we are considering dismantling the BBC and they will think you deranged.

I urge you in the strongest terms both to reconsider any proposals to close 6 Music, and to defend yourselves against the odious attacks upon the unrivaled service the BBC provides.

Yours faithfully etc.

Predicting Pitchfork

Standard

I love the Pitchfork Top 50. Love counting it down sloooowly, love working out how many of the top ten I have, or need. Love it.

This year’s list begins tomorrow. Here’s my guess as to the top 10:

  1. Animal Collective ‘Merriweather Post Pavillion’
  2. Grizzly Bear ‘Veckatimest’
  3. Dirty Projectors ‘Bitte Orca’
  4. Phoenix ‘Wolfgang Amadeus Phoenix’
  5. Fever Ray ‘Fever Ray’
  6. Fuck Buttons ‘Tarot Sport’
  7. Girls ‘Album’
  8. St Vincent ‘Actor’
  9. Atlas Sound ‘Logos’
  10. Sunn 0))) ‘Monoliths and Dimensions’

For reference, I cut the Flaming Lips, The xx and I probably would have included The Field, had they not listed it under Honorable Mentions earlier today.

Anyone care to take me on? 2 points per album, 5 points if you get it in the right position…

UPDATE: 50-26 are listed today, 17th December, and only the Sunn 0))) record is included, so I still have 9 runners and riders on their feet…

FINAL UPDATE: 6 right, only 1 in the right position, and that;’s the one even my mother would have guessed. I think that’s a reasonable performance. Do I really have to buy the xx album now?

X-Factory Farming

Standard

As I write, the final of this year’s X-Factor is playing out on a TV in the same room. My wife quite likes it, and so for this reason, I’ve been present whilst much of the series has squirted its way into my living room this year.

I’m able to ignore it, most of the time at least. I can get on with other things as it plays out, and I count myself lucky for this, not least as the show is expressly designed to shouty-laser the non-committed viewer into some sort of suggestible state just west of catatonia.

When I do start to pay attention to it, it annoys the hell out of me. I think I’ve worked out why.

It’s not some percieved lack of talent amongst the contestants. Most of them can sing to some degree. They are better than most pub singers, albeit probably worse than many. They can sure sing better than me.

It’s not related to lack of talent. Sure, ask the contestants to WRITE and sing a song each week and the series would last a fortnight (good thing). The history of pop is dominated by good-looking dolls who sang other people’s songs, from Elvis to Beyonce.

It’s not that it manufactures pop stars that we could happily have been spared. The pop business has worked that way since the mid-fifties. See Elvis.

I think most of the things that tweak me into screaming at the box if I give them half a second’s thought could be bracketed under ‘insincerity’ and ultimately it’s the huge towering pile of thousands of tiny lies that the show is built upon that really, really gets me.

Examples:

  • The judges. There is something dishonest about a panel of experts spouting advice on how to be a world-straddling pop talent if that panel includes Danni Minogue and Cheryl Cole. And Simon Cowell. Look them up and marvel at how little they’ve actually done to qualify.
  • The words they all say. “What would it meant to make it into the last eight/seven/six/five/four/three/two?… Oh, it would mean everything to me (every week).” “You made that song your own”… so let’s be clear, that song will now belong to Joe Somethingorother, rather than The Beatles? “You deserve to make it into the final”… and I’ll tell all the others the same.
  • The idea that these stories are amazing, or miraculous. Oh really? You stick a singer on prime-time TV for several weeks and then people go and buy their records? Incredible! We shall call this new phenomenon ‘advertising’.
  • The huge, cavernous, universe-exploding pretence that this is something other than a game show, It’s A Knockout for karaoke wannabes.

I’ll buy the Rage Against the Machine song this year. Simon Cowell thinks this is stupid. He may be right. I haven’t listened to the charts for years, so it’s disingenuous of me to get worked up about a three-week advertising campaign which has destroyed the once entertaining race to be Christmas number one. However, if the X-Factor is entertainment, if it’s fun and pop and sparkly and life-changing, and if, as Cowell has intimated in the past, it’s proof that democracy is still alive, then so is the idea of boosting an 17 year old song to number one, just to piss him off.

Sure there’s an self-defeating irony in half a million people all succumbing to a campaign to buy the same song just to prove they can’t be dictated to, but that’s pretty comprehensively obliterated by the sheer joy inherent in the idea of Cowell being denied what he thinks is rightfully his, and having to hear “Fuck you I won’t do what you tell me” whenever he remembers 2009.

Pranks might not change the world, but they can make it a whole lot more fun.