We Have Nothing

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We have nothing to love but love itself
We have nothing to lose but loss itself
We have nothing to hate but hate itself
We have nothing to dread but dread itself

We have nothing to choose but choice itself
We have nothing to profit but profit itself
We have nothing to need but need itself
We have nothing to change but change itself

We have nothing to desire but desire itself
We have nothing to fight but the fight itself
We have nothing to chase but the chase itself
We have nothing to resist but resistance itself

We have nothing to grieve for but grief itself
We have nothing to end but the end itself
We have nothing to live for but life itself
We have nothing to breathe but breath itself

Uruguay 52-95

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That’s unlucky, a good chance
It’s a good stop, a good stop
A pretty honest effort to connect
With a searching cross, two decent crosses
He does catch him on his heel
To be fair

Of course, he wants to go for it
Got to try, to make it across the ground
They’ve finally arrived
Just off his weaker side
It’s not quite so clinical
I thought he said

He wasn’t going to take any interest
It wouldn’t be worth watching
Without him, both feet very close
A miscue, again
Just a bit of precision lacking
It’s a decent surface

It’s certainly good enough
They watered it as well
It just got away from him
Momentarily, again
It’s just a little wayward
He’s got to the dangerous side

How much juice is there left
In the tank, he’s going
To get the same again
Trying to tuck it in
He goes down
It’s certainly not there

He was desperate to get it out
Looking for someone else
His knee, right in the forehead
A nasty one, no consolation
Right in the face
He went past one or two

He read that second one very well
Like a punch drunk boxer
The doctor doesn’t want him to continue
And its easy to see why
If you’ve lost consciousness
For a second or two

Crisp into the path
It’s an awkward one, at full stretch
A very, very forceful challenge
Surprised he hasn’t been penalised
He’s getting some joy now
Interesting to see which way

He’s going to go
Shaping up a little bit
The right idea, carrying a threat again
They need to
It’s the right idea
You can forgive that

To live with that
Just get on with it
He wants to be in the hub of it
The thick of it
In there
It’s not as low as I thought it was

Need to force the issue
They are the dangerous overachievers
It’s a tremendous run, got to be
An end product
Trying to quicken it
Sometimes you’ve got to let him

Have hold of it
Just drop back
The last ten minutes
Now he’s got twenty
Into the midriff of heart
You could put that in there

Someone’s got to take a chance
Didn’t quite get the job done
Somehow he’s forced it forward
He’s found a way out, did really well
Just get into that space
It could make the world of difference

The obsession makes an impression
He had to work very hard to get it
But then you’ve got to get there
Down he goes
Nothing doing
More in hope than expectation

A little snapshot
A changed man
And that’s a little snapshot out of nothing
All of a sudden he finds the target
You’ve got to get yourself
Into a good position

Expect it to arrive
Is everyone alright at home
It’s quite a ride, isn’t it?
Is there another one to come
There have always been hiccoughs
Knock it away

Deal with it
Everyone’s got a job to do
Just a little desperate
Understandable, but desperate
He’s quick across the ground
For a big man

He’s still out there
Drifted out to the left
A little bit more, clipped
Rather than fired it
Like a shot
On the verge again

Out of absolutely nothing
Why is he hoping for that
Expecting that
There was no danger there
He somehow regained
His balance

They’re running out of time
How he would love to plot
Something now, a big disappointment
Still felt there was more there for them
Something’s got to drop for them
Why always them?

He looks close to tears, hearts forward
He’s made the difference
There hasn’t been a great deal to choose
Down and nearly out, the devil they know
From nothing, more scientific
It’s all about those two

Italy, 0-30

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It starts here
We don’t know 
How far they’ll get to go
Shall we just try to enjoy it?
It’s always difficult
So much expectation

Preparation has been spot on
Conditions not quite as bad 
As we feared they might be
Its cutting up a little bit
Goodness that was close
And it rippled, not bulged

No excuses, no regrets
The third: no fear
There’s lots of flexibility
Good work again
The boys said it
And everyone seems to trust him

Don’t commit yourself too early
We want to be on the front foot
Started well, no dramas
The heir apparent
When he finally does call it a day
They’ll be big shoes to fill

I’ve seen them given 
Sometimes
Be disciplined 
Stay with runners
So much for the heat 
Of the tropical forest

He was casual in giving it away
He was careless
He managed to control it
Just at the moment they seem 
To be doing a lot of chasing
We’ve been talking to them 

Over the last couple of days
So many of them 
It’s overwhelming
It never ceases to amaze me
He can do that, I’ve seen him 
Do that over the years

Where the space is
They’re not hurting us 
At the moment must have wobbled
Must have dipped
Must have swerved, the positions
Are causing us problems

Father’s Day

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Today, June 15, is Father’s Day. It’s never been the biggest deal for me, although the family marked it. I never felt the need to rebel against it. Saying ‘thanks’ to your father seems like a good thing to do and since no-one in their right mind would remember to do that every day, then having a date in the diary helped, I guess.

The ‘day’ itself isn’t much of a tradition, having sparked into life a hundred years ago in the USA and slowly gained footing around the world. As designated days go, it seems one of the less Hallmarked.

My Father died in 2005, at Christmas, after the family spent a week at his bedside. In the couple or three years that followed that holiday was hard to get through but Father’s Day didn’t really trouble us. Just a day that you didn’t have to worry about remembering, and we were thinking about Dad every day anyway. In the years since it’s become more of an irritant. Each year I try hard to resist the urge to reply to emails which come unbidden to my inbox with subject lines like ‘Remember to tell your Dad you love him on Father’s Day!’ Once or twice I’ve sent responses saying ‘please stop emailing me to remind me that my Father is dead’. The machines at the other end seem happy to ignore them and carry on so long as their numbers still stack up.

This year, and for the second year running, I’m a father myself on Father’s Day. Since our daughter arrived last year I’ve felt renewed reticence over such prescribed family celebrations. Each time they roll around my instinct it to ignore them. I don’t want to give in and to tempt fate. She’s only been with us just over a year and, at the moment occasions like these serve mainly as reminders that nothing is permanent and that I can’t relax just yet. Don’t worry about it, I know it’s me.

Today I went for a long bike ride in the sunshine, which I loved. I met my wife and daughter for breakfast at a cycling cafe down by the river and we spent a happy hour eating and just hanging out together. That stuff means a lot to me these days.

Once I’d ridden back home again I decided to build some shelves for the shed to help organise some of the stuff that’s piling up on the floor in there. Somewhere in the back of my mind that seemed like a nice, stereotypical Father’s Day thing to do, so I did it.

I’d had an idea about putting in some big, triangular-shaped corner shelves which would give lots of space for storage but also not block off access to the back of the shed where the bikes hang. I took measurements, drew diagrams and tried to remember maths as I strained to put together the details I knew must be critical to making sure this was actually going to work. Mainly I was trying to work out what sized piece of wood I needed to make two right-angled triangles and to minimise the waste.

My head is foggy when I stray off the well-worn paths these days, and every time I found myself struggling to see the way ahead I stepped back. Thus I drove to the local DIY store knowing that I only had this planned out about 75% of the way, that the remaining 25% could be vital, and thus I could be about to rashly plough on and build something completely unusable. I also knew that I was incapable of sitting down and actually working it out properly as this would require me to temporarily set aside the stronger urge to just get on and do it.

Of course, no-one sells wood in 1200mm x 1000m rectangles, so I ended up buying untreated planks, having stood in the shop wondering how many I would need to make up the same area and how I could lash them together. I got them home and spent a couple of hours measuring, scoring, drilling, screwing fast, and eventually sawing. At several points I had to pause and look at my original diagram, compare what I was looking at, turn paper around to the right orientation and reassure myself that the things I seemed to be putting together would actually fit into the spaces I needed them to. As ever I got 75% of the way to confirming and then couldn’t reassure myself enough in the available time, so ploughed ahead, all the time knowing that I might be heading for a total failure, waste of money and general humiliation and frustration and that it would be no-one’s fault but mine.

After a couple of hours, nearing the end, it occurred to me that I really hadn’t spent much of this Father’s Day with my daughter. That’s okay. I know we can’t spend every hour of every day together, much as I’d like to, and instead I had done some things I wanted to do or which I told myself needed to be done.

As I got to the very end of today’s work, using a rusty old electric jigsaw to cut the very rough plank-braced 1200mm x 1000m rectangle I had screwed together along it’s diagonal to give me my two triangles, two things occurred to me. Firstly, this huge wooden slab, now inexpertly being cut into two, was likely to be way too heavy to actually stay up on a flimsy shed wall. No doubt it would be back down again within days. I made a mental note not to put anything heavy on these unexpectedly heavy and unsustainably sturdy shelves.

Secondly, as I cut across, dividing the piece in two and seeing bits fall away which I hadn’t quite expected to, I realised that I had spent the past two hours being my own Father. He was not a talented DIY practitioner, but he was a tryer, even when his family suggested he might like not to try. I had thought that inexorable feeling that only comes when you know that a job you’ve been doing is heading for failure and yet you cannot stop, had been uniquely mine. Now I realised that he too must have felt it often, whenever one of his fix-it jobs began to turn bad, as some, certainly not all, did.

As I stacked the two shelves inside the shed they had been specially designed and crafted to fit, wondering how they could simultaneously look so solid that they were likely to bring the walls down, and so shaky that their immediate collapse seemed inevitable, rather than the boiling frustration of an afternoon turning from productivity to futility with no-one to blame but myself and my untrammelled incompetence, I felt happy.

I knew that in some way I had spent the day in the sunshine communing with my Dad, and knowing that my daughter, too young though she currently is, may one day look out of that kitchen window and view me hammering and sawing with the same concern that I used to feel for my Dad. Although my Father’s Day focus has shifted from me thinking about him to me thinking about my daughter, from being a son to being a Father, he’s still here so long as I am, a chip off the old block.

 

 

How can Rick be dead when we still have his poems?

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Rik Mayall died today. He was aged 56.

Rik Mayall

 

Rik was, one way or another, among the most influential strangers in my life. Whilst fighting, and failing, to resist the urge to go straight to social media, the word ‘hero’ was the one which seemed naturally to sum up the way I felt about him. In some ways that seems absurd. Rik Mayall made me laugh, not through the sharpness of his wit but through the brute force of his thrusting, foolish crudity.

Does that make him ‘a hero’? To me it did, in this way. ‘The Young Ones’ ran between 1982 and 1984. I was 11 when it started and 13 when they drove that bus into and over the cliff. In that period I left junior school and had to try to find a person to be at high school. I reached for the people around me, ones I knew and ones I had only seen and heard at a distance. Like most people I’ve been plundering these people to assemble a personality ever since.

So call them what you want. ‘Influences’, if you like. They feel like parts of me, the people I could never be, the people I didn’t need to be because they were already here and I was able to find them. I call them ‘heroes’, even though, for the most part, the only person I know they saved was me.

Rik Mayall was the right man at the right time. Rick the student protest poet was the embodiment of inter-generational rebellion in all its incandescent energy and ludicrous futility. He showed me that you could be a complete berk and still be funny. That you could be very, very stupid and clever at the same time. That you could rebel, angrily, and achieve nothing and yet somehow that was still better than doing nothing in the first place. He showed me that larking about with your friends was as much fun as you could have. And he reminded me that smacking people around the head with a frying pan, squirming about with a ludicrous smirk on your face, acting the prig in a stupid voice and swearing and farting could still be funny in the world of grown-ups.

He was also one of the first breaks I made with my parents. I don’t recall anything pre-Young Ones that I loved so much and which they did not understand. Rick, and a year or so later Morrissey, would become the first two people my Mum and Dad would actively take the mickey out of me for liking. And there is something very important in that, boys and girls. That, I think, is when you know you’re onto something.

Even though he was a caricature, a warning against, he still showed me ways to become an adult. He taught me all the above. Even more importantly he taught me that if you can spend your time with people who make you laugh uncontrollably, no matter how, you can be happy.

 

I’m having trouble breathing in

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[youtube:https://www.youtube.com/watch?v=bcnIhzaDTd0%5D

‘Avant Gardener’, Courtney Barnett’s song from last year, is a hazy, rolling treat. Along it bobs, buoyed on by it’s own lazy waves. Amid the lapping sounds, gently keening guitars, grumbling groundwork baseline, feedback scratching pleasantly at its back, Barnett tells the tale of her day. As days go it’s not one of the best despite a decent start. She wakes in the morning, has a lie-in (“oh what a wonder, oh what a waste”). It’s hot, she’s bored and, casting around for something to do, she gets into a conversation with her neighbour about flowerbeds. Daydreaming about growing veggies she starts to tidy up her own garden when things start to take a turn for the worse.

It’s a mundane enough setting for a song. Suburban, with all the comfort we fancy that implies after childhoods infused by Tom Hanks comedies and barbecues with the Neighbours. The spiky triumph of the track is the way Barnett manages to find the universal existential crisis at the heart of a specific medical one. The last line, repeated before the song’s groove begins to wind down (“I’m not that good at breathing in”) is delivered to make the most of the double meaning their singer has worked cleverly to win. ‘I know the feeling’ we think when we hear them.

Much earlier, back in the first verse, as she’s taking the potentially fateful decision to get her hands dirty, she sings “Life’s getting hard in here, so i do some gardening. Anything to take my mind away from where it’s s’posed to be”.

I must have listened to this song a hundred times since last year. This morning, hearing it for the hundred and first, it occurred to me for the very first time that what she means is that she really should be thinking about something else she’s supposed to find more important. Perhaps work, money, chores she’s supposed to be doing, people she’s supposed to be loving. I guess it’s possible that at some stage she she’ll go through a period when she realises that sometimes it’s better just to spend time standing staring in your garden on a warm Summer’s day rather than worrying about other things.

I may have been through that period when bliss is possible. I may be on my way there. I hope so. For the first hundred times I listened to ‘Avant Gardener’ I took this line to mean that she was happy to have her mind taken away from the inevitability of death, a subject she considered ‘where it’s s’posed to be’.

Courtney Barnett is currently 26. I am currently 43.

Meat is meat is meat

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There are calls today, so we’re told, for clearer packaging of meat that is being sold in the UK. Apparently supermarket shelves may be carrying meat which has been produced to halal standards without labeling it as such.

The production of either halal or kosher meat requires, amongst other strictures, the animal to be uninjured at the moment it is killed. In the case of kosher meat, stunning is expressly forbidden. In the case of halal meat there are some interpretations which allow stunning before slaughter.

Some entire industries and operations are, inevitably, producing all their meat to halal standards. This makes good economic sense: kill them all in the same way maximising efficiency whilst producing for the broadest possible consumer base. According to reports New Zealand lamb is being produced this way and so is chicken for Pizza Express.

Both sides, in terms, are calling for proper labelling. Those who want kosher and halal meat presumably want to be sure they’re buying the right product and to be aware that they may have a wider choice available to them. Those who believe that for humane reasons animals should be stunned before they are killed want proper labelling so they can avoid buying meat which has been produced in a unnecessarily cruel way.

How on earth do we get ourselves into these positions, blowing up a microscopic part of a big picture and treating it like the heart of the matter?

I can’t bring myself to suggest that this is an orchestrated use of mass media to engage the populace in a distracting argument. I think it’s something more inherent in the human psyche. We’re so naturally terrified of the big picture, whether it’s climate change, inequality, war or the fact that we’re all going to die, that we bury our heads in one or two choice details that we think we can exert some grip on and control over.

Let’s be very clear here. Whichever way you look at it, we are using industrial processes to slaughter hundreds of billions of animals each year (http://www.adaptt.org/killcounter.html). Some of them get stunned a few seconds before they are killed, and for them that is some very, very small concession towards mercy.

Whether you say a magic spell over them or sprinkle them with fairy dust whilst you kill them the end result is the same.

Arguing in technical terms about which process is best/safest/most humane is a grotesque distraction and in its own way just another part of the mental block that most people put around themselves and the pink shrink-wrapped blobs they put in their shopping trolleys.

Perversely, Shechita UK, spokespeople for the kosher method of slaughter, are calling for labels which offer full disclosure of whether an animal was stunned before slaughter, whether it had to be repeatedly stunned if first attempts were ineffective along with details of the method of slaughter. Quote: “captive bolt shooting, gassing, electrocution, drowning, trapping, clubbing or any of the other approved methods.”

That sounds like a great idea to me. There are some truths that we should be forced to confront every time we try to ignore them.

April Fools

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It’s something like 30 years since we fooled Uncle Derek. We were schoolkids at the time and, looking back, I’m amazed that we managed to orchestrate it. Not that the undertaking was particularly complicated, just that we managed to successfully create something that carried sufficient credibility with it as it journeyed from our schoolboy imaginations out into the real adult world, a world which, it transpired, we knew so little about.

They’d gone out on Sunday morning. Somewhere floating about the start of the story I have it in mind that they had gone to church. That seems utterly ridiculous. It’s possible that our two mums had gone to a Sunday service, but almost certainly our two dads had gone to play golf. I hadn’t appreciated it until very recently but I can now imagine just how relaxed and at ease with themselves they must have felt as they returned at lunchtime. Two old friends sharing four or five hours away from the shearing forces of their two families. A beer, maybe two to round it off. I love that they could have been so happy together.

We were in the sun room at the back of the house pretending that we weren’t hiding, but hoping all the same not to see them as they arrived. I can’t say what Uncle Derek’s immediate reaction was when he realised that his Mercedes wasn’t on the road outside the house, where he had left it the previous afternoon. Nor can I tell you what his immediate reaction was when he found the note we’d forged. We didn’t see that at first hand either. He moved too quickly.

The idea had come to us after an intense period of brainstorming, or more accurately riffing, on the subject of how we could shock, jolt or just plain upset our fathers. Although the tradition of the date allowed for the fooling of anyone in the vicinity, there was no-one else under consideration for the four of us. It had to be them.

There is a rivalry which flows back and forth between fathers and sons like untrammelled electricity, or at least it did with us, and any opportunity to strike an intergenerational blow had to be seized. We had learned this from them, through brutal sporting beat-downs and incomprehensible grown-up jokes delivered at our expense. We slowly developed the nagging desire, which grew into an inescapable obligation, to return fire and got tastes of how good that could feel through fleeting two-goal leads and brief glimpses of board-game fallibility.

We never managed to make anything stick though, until April 1st came around and we found ourselves together and alone in the house in Gloucestershire. This time we made it count, even if only for a couple of minutes.

I can’t recall the specifics of the note we left sticking out of the letterbox on the front door. I do however remember that the stroke of inspiration that made the whole wheeze hang together was not to write the note as if it had been left by the mechanic we were claiming had collected the car. Too obvious. So straightforward an attack must surely be spotted immediately. Also, not plausible. Who among us could write like a car mechanic? What would Derek’s local car mechanic even be called? Wouldn’t a mechanic be from a specific place and maybe even have business cards or headed paper? What on earth did car mechanics write like anyway? Too many opportunities for us to unwittingly give ourselves away.

So, we wrote it from The Neighbour.

My recollection is that he was a Steve or a Paul, that when the two dads got a grip of him to demand an explanation he was already well into his Sunday whiskey and thus in no position to be coherent even if he had known what they were loudly raving about, and that the note ‘he’ wrote went something like this:

Derek, the guys came to collect your car for the respray. You weren’t in so I gave them your spare keys. Car will be back on Tuesday.

Not only did this approach allow us to construct what we thought was a plausible note – we knew The Neighbour’s name, The Neighbour might reasonably have given the car away whereas the mechanic would never have just taken it – it also created the single right-hand turn in the narrative that we needed to make the whole thing fly.

Now, when our dads read the note they could not think directly from ‘note’ to ‘car/garage’, passing directly through the pounding, weak heart of our blatant, gasping lie to get there.

Now, they had to look right, to the house next door, rather than behind them, to the corner of the street that we had pushed the car around to hide it.

Now their thoughts and actions had to detour via The Neighbour and in the additional few seconds it took them to assimilate and process that extra stop along the story they forgot themselves, stopped asking questions and started running…

Billy Bragg – ‘Don’t Try This At Home’

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Billy Bragg - Don't Try This At HomeBilly Bragg’s fourth album was released in 1991. I bought it the week it came out in possibly the least user-friendly format imaginable: a box set of eight separate seven inch singles. To listen to the whole thing front to back required 16 visits to the turntable. Inevitably this ended up in – encouraged even – dipping in and out in a highly manual form of skipping tracks. I remember different songs getting heavy play at different times and others languishing, their names only firing distant recollection.

I’m listening to it now for what I would guess is the first time in around 15 years. How come I can sing all the songs, either completely or in part?

‘Everywhere’, the earnest, Seeger-indebted, but similarly pure and un-swerveable paean to interred Japanese Americans.

‘Sexuality’, one of his more forced songs but still brimming with pleasure, shanks to Johnny Marr’s effervescent guitar playing and some of Bragg’s best, if almost completely out of context, couplets (‘I had an Uncle who once played/For Red Star Belgrade/He said some things are really best left unspoken/ But I prefer it all to be out in the open“)

‘You Woke Up My Neighborhood’, with half of REM adding a swing to proceedings and Billy adopting his rubbish cod-American accent, used to make me smile in recollection of the wild girlfriend who had been part of my life so briefly and had never actually existed.

Even now, all those years later, as I’m in the midst of ‘Mother of the Bride’, a song which used to make me warm with adolescent self-pity, I’m already fearful knowing that ‘Tank Park Salute’ is up next, a devastating song about the death of Bragg’s father, which I used to force myself to sit through to attempt to confront my worst fears. It didn’t work, but the song is etched on my heart. It’s playing now, still burning.  Listen. It’s beautiful.

[youtube:http://www.youtube.com/watch?v=O51StLHCTrU%5D

‘God’s Footballer’ (“turns on a sixpence and brings the great crowd to their feet in praise of him”) a deft tribute to Peter Knowles. ’North Sea Bubble’ and ‘Body of Water’ as convincingly rocking as Bragg would ever get.

i reached for it just now because of some half formed desire to ‘listen to some songs’. I couldn’t say why this record sprang to mind, but it fits the bill perfectly. [Update: I know where it came from. For some reason I was whistling ’The Space Race Is Over’ as I tripped up and down the corridor at work this afternoon. I couldn’t say why.]

I think Bragg is vastly under-rated, or at least not sufficiently credited, as a pure songwriter. His politics, and their place in his work, are often seen somehow as mutually exclusive to him writing really great songs. But he does, or at least did. ‘Don’t Try This At Home’ absolutely bursts with them. It’s also one of his warmest collections, wherein the personal takes precedence over the political or, in the best examples, ‘Moving the Goalposts’, ‘Rumours of War’ the two are made inextricable.

It’s a great record, probably the best overlap between his blunt early passion and his growing confidence and range as a composer. And it’s just chock full of tremendous, moving, proper songs. Songs which feel like they could and should be passed down through generations. They are vibrant, living, energetic or quiet, intimate, moving, meaningful. If that sounds like something simple, then i’m sure it’s not, but the pleasures to be had here are simple in their own way, unpretentious, sentimental, rousing, honest and, 20-odd years down the line, still wonderful and memorable. How else would I know all of them when they were so bloody difficult to listen to in the first place?

[Update: I think I probably made a tape of this and so did listen to it through all the time, but my point still stands]

A Gorey Alphabet of Disappointing Lives

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For Edward Gorey

A is for Aldred who’s manner was unctuous
B is for Boris who was fired from a circus
C is for Carla who disowned her mum
D is for Donna stuck under the thumb
E is for Ernest bedbound and distressed
F is for Francis who’s head was a mess
G is for Gustav who never quite got it
H is for Harriet who just couldn’t stop it
I is for Iris who had a great fall
J is for Johnnie alone through it all
K is for Klaatu aloof and unloved
L is for Larry who needed a shove
M is for Maurice who never left home
N is for Noah adrift on the foam
O is for Otis gazing out to the sea
P is for Petra who never felt free
Q is for Quentin whose blood had impurities
R is for Rob caught by bookstore security
S is for Sheila who dried on first night
T is for Terrance afraid of the light
U is for Ulysses wandering round and round town
V is for Vivienne always wearing a frown
W is for Wendy stuck out on a limb
X is for Xavier who mistrusted his whims
Y is for Yootha who’s moods were renowned
Z is for Zebedee who’s spring had run down